1
10
1599
-
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11032b4081dcab672e7ecba0382092df
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Lazy Gal" Work-Clothes Quilt
Date
A point or period of time associated with an event in the lifecycle of the resource
2002
Medium
The material or physical carrier of the resource.
Cotton
Extent
The size or duration of the resource.
95 x 72 inches
Creator
An entity primarily responsible for making the resource
Annie Mae Young, American, 1928-2013
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
Purchase with funds from Peggy, Margaret, and Mary Rawson Foreman and gift of the artist and the Tinwood Alliance in honor of Rawson Foreman (c) Annie Mae Young
Identifier
An unambiguous reference to the resource within a given context
2002
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Annie Mae Young
Blue Quilt
Gees Bend
Lazy Gal
Quilt
Young
-
https://glamportal.auctr.edu/files/original/a20c326ad02229a376f58b9b2b822614.jpg
f0edfcae3417a67fe8f311022502c227
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
48 × 60 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Les Trois Femme Deux
Date
A point or period of time associated with an event in the lifecycle of the resource
2018
Medium
The material or physical carrier of the resource.
Dye coupler print
Creator
An entity primarily responsible for making the resource
Mickalene Thomas, American, born 1971
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Identifier
An unambiguous reference to the resource within a given context
2018.214
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Purchase with funds from the Friends of Photography (c) Mickalene Thomas
-
https://glamportal.auctr.edu/files/original/9299f99631b4ff10f364099a2c4a6f9a.jpg
981e36a6cd79030ff897cb3eedb46b00
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
16 x 16 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
#1960Now_Selma_50th: Bloody Sunday 50th Anniversary, Selma, AL March 2015
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Medium
The material or physical carrier of the resource.
Gelatin silver print
Creator
An entity primarily responsible for making the resource
Sheila Pree Bright, American, born 1967
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Identifier
An unambiguous reference to the resource within a given context
2017.223
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Gift of the artist
-
https://glamportal.auctr.edu/files/original/e21ab2bbff61c7fa2b95090535721cfb.jpg
2a92f26f48a6e60bd87f80d87c109321
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
96 x 66 1/2 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Native Tongue/Ogbe Oyeku
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Medium
The material or physical carrier of the resource.
Acrylic and gold leaf on canvas
Creator
An entity primarily responsible for making the resource
Fahamu Pecou, American, born 1975
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Identifier
An unambiguous reference to the resource within a given context
2015.98
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Purchase in honor of Louise S. Sams, Chairman of the Board of Directors, 2011–2015, with generous support provided by Charles and Kristie Abney, Daniel and Sandra Baldwin, Carolynn Cooper and Pratap Mukharji, Charlene Crusoe-Ingram and Earnest Ingram, Howard and Helen Elkins, Holcombe and Nancy Green, Helen Griffith, Christopher and Kathleen Hohlstein, Jack and Ellen Holland, Jeb and Karen Hughes, Sarah Kenan Kennedy, Joel Knox and Joan Marmo, Ms. Wendy W. Kopp, J. Hicks and Jane Lanier, Bertram and Barbara Levy, Forrest and Lorri McClain, Allen and Sally McDaniel, Morgens West Foundation, Jean-Paul and Toni Pentecouteau, Sidney and Phyllis Rodbell, Michael A. Rooks and Jeffrey Cassens, D. Jack Sawyer and Bill Torres, Paul and Sara Steinfeld, Terry and Margaret Stent, Stephen and Michelle Sullivan, and Chelton Tanger and Peggy Hagen
Keep
-
https://glamportal.auctr.edu/files/original/40d639801816001455d347ea20a2f629.jpg
d1e20cee15cdb1b97ef31712c5d93260
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
99 5/8 x 55 1/8 x 37 3/8 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Minotaurus
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Medium
The material or physical carrier of the resource.
Cast bronze on sandstone base
Creator
An entity primarily responsible for making the resource
Nandipha Mntambo, South African, born 1982
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Identifier
An unambiguous reference to the resource within a given context
2017.180
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Purchase through funds provided by patrons of Collectors Evening 2017 © Nandipha Mntambo
-
https://glamportal.auctr.edu/files/original/edb645f2d4f6db9d3ba8a5013ced167f.jpg
5e2f770e859a180694639e91d5afefe3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
20 × 30 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mary Parker and Caela Cowan
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Medium
The material or physical carrier of the resource.
Pigmented inkjet print
Creator
An entity primarily responsible for making the resource
Dawoud Bey, American, born 1953
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Identifier
An unambiguous reference to the resource within a given context
2016.241
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Purchase with funds from The Friends of Photography (c) Dawoud Bey
-
https://glamportal.auctr.edu/files/original/7ca47ab51403b781e5eddb2ee6f192b3.jpg
d8f1b02c49230f602826f97b76d0fc6e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
96 x 120 x 1 3/4 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rumble
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Medium
The material or physical carrier of the resource.
Mirrored tile, black soap, wax and paint
Creator
An entity primarily responsible for making the resource
Rashid Johnson, American, born 1977
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Identifier
An unambiguous reference to the resource within a given context
2012.152
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Purchase with David C. Driskell African American Art Acquisition Fund, funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable, Jordan and Mandy Mayers, Tim & Lauren Schrager Family Foundation, and the Friends of Contemporary Art © Rashid Johnson
-
https://glamportal.auctr.edu/files/original/24818b1712e9ba3ed72c4b555e34ce01.jpg
123d1c44e7f586189640818635830802
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
69 1/2 x 95 1/2 x 3 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Green Pastures: The Birds that Didn't Learn How to Fl
Date
A point or period of time associated with an event in the lifecycle of the resource
2008
Medium
The material or physical carrier of the resource.
Cloth rags, rubber-coated wire, wire, screws, and enamel paint on canvas on wood
Creator
An entity primarily responsible for making the resource
Thornton Dial, Sr., American, 1928-2016
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Identifier
An unambiguous reference to the resource within a given context
2010.226
-
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2d8c1887c3eb5c8d2a29169387edb366
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
82 x 124 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Taago
Date
A point or period of time associated with an event in the lifecycle of the resource
2006
Medium
The material or physical carrier of the resource.
Aluminum and copper wire
Creator
An entity primarily responsible for making the resource
El Anatsui, Ghanaian, born 1944
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Identifier
An unambiguous reference to the resource within a given context
2007.1
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Purchase with funds from the Fred and Rita Richman Special Initiatives Endowment Fund for African Art and Joan N. Whitcomb
-
https://glamportal.auctr.edu/files/original/e9c8b34bbac3dfb4e4d9da9bceba3ead.jpg
e4750efa719efd142c1496a103910f87
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
52-1/4 x 35 inches, each panel
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Les Enfants
Date
A point or period of time associated with an event in the lifecycle of the resource
1999
Medium
The material or physical carrier of the resource.
Gelatin silver prints with applied color, buttons, and beads
Creator
An entity primarily responsible for making the resource
Amalia Amaki, American, born 1949
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
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Identifier
An unambiguous reference to the resource within a given context
2000.14 a-c
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Purchase with funds raised in recognition of the 25th anniversary of Nexus Contemporary Art Center, Atlanta, Georgia and gifts from the H. B. and Doris Massey Charitable Trust and Lucinda W. Bunnen and Robert L. Bunnen