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                <text>Market Women</text>
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                <text>1936</text>
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                <text>All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name.</text>
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                <text>Manley, Edna</text>
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                <text>Spelman College Museum of Fine Art</text>
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                <text>mahogany</text>
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                  <text>SAVC 305 Seminar in Curatorial Practice </text>
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                  <text>SAVC 305 Seminar in Curatorial Practice is designed to explore the&#13;
art and aesthetic theories&#13;
produced by and associated with&#13;
African American artists during the second half of the twentieth and the first decade of&#13;
the twenty-first century.  &#13;
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                <text>Martin Luther King</text>
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                  <text>&lt;em&gt;Ways of Seeing: Art History, Curating and Museums&lt;/em&gt; examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.&lt;br /&gt;&lt;br /&gt;Artworks in this collection are selected from the&amp;nbsp;High Museum of Art's Civil Rights Photography Collection.&amp;nbsp;With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore.</text>
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                  <text>All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.</text>
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                <text>Martin Luther King Jr. Arrested, Montgomery, Alabama</text>
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                <text>Charles Moore, American, 1931-2010</text>
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                <text>1958</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Gelatin silver print</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>High Museum of Art</text>
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                <text>Martin Luther King Sr. Graduation from Morehouse College in Atlanta, GA. </text>
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                <text>The commencement </text>
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                <text>This is the graduate picture of Martin Luther King Sr. from Morehouse College in 1930. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Standford University</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Standford University Archive Center</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>All rights are reserved to Stanford University Archive Center</text>
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          <name>Original Format</name>
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                <text>Mary Ann Smith at Davison lunch counter sit-in</text>
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                <text>Mary Ann Smith, Morris Brown Student, participating in Davison Lunch Counter Sit-In in 1960. </text>
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                <text>Mary Ann Smith Wilson-Ruby Doris Smith Robinson Collection</text>
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                <text>Atlanta University Center Robert W. Woodruff Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library of the Atlanta University Center, Inc., and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name.</text>
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                <text>Atlanta sit in</text>
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                    <text>This is a document from Mary undergraduate/graduation years. It shows her completion of undergraduate. It also shows the determination she had as an African-American women</text>
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                  <text>SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the  role of curators, are introduced to museums, and engage with the High Museum of Art,  art and archival collections in the Atlanta University Center and other significant  collections. Diversity of the museum and its staff as well as its changing audiences is  explored.&#13;
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Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .</text>
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                <text>High Museum of Art</text>
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                <text>All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.</text>
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                <text>Purchase with funds from The Friends of Photography (c) Dawoud Bey</text>
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