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                    <text>HEADQUARTERS 1888TH ENGR. AVN. BN.&#13;
Office of the Chaplain&#13;
APO 218 c/o Postmaster&#13;
11 April 1945&#13;
Dr. W.H. Jernagin&#13;
National Baptist S.S. &amp; BYPU Congress&#13;
Washington, D.C.&#13;
Dear Mr. Jernagin:&#13;
The following observations, recommendations, and requests is a results of regular conversation with Negro Baptist Chaplains on duty in this Theatre. It has been our good privilege to minister to our fighting men in this distant land, and at times we have enjoyed a rich fellowship together. Almost without exception, our conversation has ended with important speculation as to the future of the Negro-Church, and especially our Baptist Church, inasmuch, as we plan to continue a Baptist ministry. The following observations seem to stand out, and the following recommendations and requests, are in our opinion, one was to counteract, to some degree, the anticipated loss of influence of our Negro Chruch.&#13;
First, the majority of service-men we serve, who have church affiliation, are Baptist.&#13;
Second, the majority of Negro-Chaplains on Active duty are Baptis, and are doing a good job as Chaplains.&#13;
Third, it is our painful observation, that our church is one of the larger protestant bodies in the United States, but is neglecting its responsibility to keep in touch with its communicants in the Army through some type publication. Here we point out the tremendous amount of devotional literature that is sent out indiscriminately by other denominational bodies, while we, as a church allow this method of communion to pass, seemingly without thought.&#13;
Fourth, the returning service-man will need orientation. After many months of regimentation he will need by less respectful of most civilian authority, and will need the counsel of the Church and the minister in making re-adjustment.</text>
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                    <text>--------2, Dr W.H. Jernagin&#13;
Fifth, it is observed that the average soldier will not accept the church is infallible. This fact in itself demands that the church prove itself the champion of the welfare of the total man. As a solider, he has been taught to be practical, life has been undressed of its traditional garments and he thinks in terms of utility. This does not mean that the religious emphasis is lost, but that the religion must be total.&#13;
Sixth, it is our conviction, that the Negro Church will be called on to assist in this great task, and in many instances will be the only channel of expression.&#13;
With the above in mind, we are making the following suggestions, recommendations and request for this year’s convention:&#13;
One, that the program committee will be instructed to have space on the Convention’s program for the discussion of the unique, and important ministry to Servicemen, and to discharged soldiers.&#13;
Second, that a qualified commission be appointed to study the opportunities, advantages, services, and aids offered Veterans, and that this information be sent out to all churches, and ministers in simplified form, so that through service and a complete ministry the church may reclaim its members.&#13;
Third, that the convention will study evangelistical techniques, and sponsor with other churches a “Crusade for Christ.”&#13;
Fourth, that in some way the church will publish some devotional literature to be sent to all chaplains serving with Negro troops.&#13;
Fifth, that some member of this committee, will be given a place on the Conventions program, as some of us will be in the States; for the Convention.&#13;
Finally, this letter is not an indictment of our present leaders, but is a very humble attempt of ours to share our observations and if possible, remedy some of our joint weaknesses. We are aware of the contribution that has been made, and we know that the leaders of our Church are anxious to always render the greater service. It has been our privilege through the church to serve in this capacity, and we hope that these observations will be accepted in the spirit with which they are submitted.</text>
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                    <text>--------3, Dr W.H. Jernagin&#13;
4. With the hope that we will meet soon, and that God will guide us in “His Way Everlasting”.&#13;
Prayerfully sumitted,&#13;
The Committee:&#13;
Robert W. Penn – Chairman&#13;
Captain AUS&#13;
Chaplain 1888th Engr. Avn. Bn.&#13;
Chaplain (Capt.) W.O. Jones&#13;
45th QM., Group&#13;
APO 689 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) J.H. Smith&#13;
858th Engr. Avn. Bn.&#13;
APO 689 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) G.R. Yancy&#13;
484th AAA Bn.&#13;
APO 218 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) T.T. Smith&#13;
849th Engr. Avn. Bn.&#13;
APO 689 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) C.E. Byrd&#13;
1883rd Engr. Avn. Bn.&#13;
APO 689 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) C.M.C. Ellis&#13;
Camp Howrah&#13;
APO 465 c/o P.M. NYC., N.Y.</text>
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              <text>[TRANSCRIPTION]&#13;
HEADQUARTERS 1888TH ENGR. AVN. BN.&#13;
Office of the Chaplain&#13;
APO 218 c/o Postmaster&#13;
11 April 1945&#13;
Dr. W.H. Jernagin&#13;
National Baptist S.S. &amp; BYPU Congress&#13;
Washington, D.C.&#13;
Dear Mr. Jernagin:&#13;
The following observations, recommendations, and requests is a results of regular conversation with Negro Baptist Chaplains on duty in this Theatre. It has been our good privilege to minister to our fighting men in this distant land, and at times we have enjoyed a rich fellowship together. Almost without exception, our conversation has ended with important speculation as to the future of the Negro-Church, and especially our Baptist Church, inasmuch, as we plan to continue a Baptist ministry. The following observations seem to stand out, and the following recommendations and requests, are in our opinion, one was to counteract, to some degree, the anticipated loss of influence of our Negro Chruch.&#13;
First, the majority of service-men we serve, who have church affiliation, are Baptist.&#13;
Second, the majority of Negro-Chaplains on Active duty are Baptis, and are doing a good job as Chaplains.&#13;
Third, it is our painful observation, that our church is one of the larger protestant bodies in the United States, but is neglecting its responsibility to keep in touch with its communicants in the Army through some type publication. Here we point out the tremendous amount of devotional literature that is sent out indiscriminately by other denominational bodies, while we, as a church allow this method of communion to pass, seemingly without thought.&#13;
Fourth, the returning service-man will need orientation. After many months of regimentation he will need by less respectful of most civilian authority, and will need the counsel of the Church and the minister in making re-adjustment.&#13;
--------2, Dr W.H. Jernagin&#13;
Fifth, it is observed that the average soldier will not accept the church is infallible. This fact in itself demands that the church prove itself the champion of the welfare of the total man. As a solider, he has been taught to be practical, life has been undressed of its traditional garments and he thinks in terms of utility. This does not mean that the religious emphasis is lost, but that the religion must be total.&#13;
Sixth, it is our conviction, that the Negro Church will be called on to assist in this great task, and in many instances will be the only channel of expression.&#13;
With the above in mind, we are making the following suggestions, recommendations and request for this year’s convention:&#13;
One, that the program committee will be instructed to have space on the Convention’s program for the discussion of the unique, and important ministry to Servicemen, and to discharged soldiers.&#13;
Second, that a qualified commission be appointed to study the opportunities, advantages, services, and aids offered Veterans, and that this information be sent out to all churches, and ministers in simplified form, so that through service and a complete ministry the church may reclaim its members.&#13;
Third, that the convention will study evangelistical techniques, and sponsor with other churches a “Crusade for Christ.”&#13;
Fourth, that in some way the church will publish some devotional literature to be sent to all chaplains serving with Negro troops.&#13;
Fifth, that some member of this committee, will be given a place on the Conventions program, as some of us will be in the States; for the Convention.&#13;
Finally, this letter is not an indictment of our present leaders, but is a very humble attempt of ours to share our observations and if possible, remedy some of our joint weaknesses. We are aware of the contribution that has been made, and we know that the leaders of our Church are anxious to always render the greater service. It has been our privilege through the church to serve in this capacity, and we hope that these observations will be accepted in the spirit with which they are submitted.&#13;
--------3, Dr W.H. Jernagin&#13;
4. With the hope that we will meet soon, and that God will guide us in “His Way Everlasting”.&#13;
Prayerfully sumitted,&#13;
The Committee:&#13;
Robert W. Penn – Chairman&#13;
Captain AUS&#13;
Chaplain 1888th Engr. Avn. Bn.&#13;
Chaplain (Capt.) W.O. Jones&#13;
45th QM., Group&#13;
APO 689 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) J.H. Smith&#13;
858th Engr. Avn. Bn.&#13;
APO 689 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) G.R. Yancy&#13;
484th AAA Bn.&#13;
APO 218 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) T.T. Smith&#13;
849th Engr. Avn. Bn.&#13;
APO 689 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) C.E. Byrd&#13;
1883rd Engr. Avn. Bn.&#13;
APO 689 c/o P.M. NYC., N.Y.&#13;
Chaplain (Capt.) C.M.C. Ellis&#13;
Camp Howrah&#13;
APO 465 c/o P.M. NYC., N.Y.</text>
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&#13;
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                  <text>Suspend your disbelief with me for a moment.&#13;
&#13;
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&#13;
This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. &#13;
&#13;
Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. &#13;
&#13;
However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. &#13;
&#13;
&#13;
&#13;
&#13;
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                <text>auc.039.0036</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Letter to Hoyt Fuller from Amiri Baraka</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>image/jpeg</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1969 November 11</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="31851">
                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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            <name>Type</name>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="31853">
                <text>Hoyt Fuller Collection</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>eng</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Atlanta University Center Robert W. Woodruff Library</text>
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  <item itemId="547" public="1" featured="0">
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      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Correspondence</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Letter to Lieutenant General Alvan C. Gillem, Jr. from Rufus Clement</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Atlanta University</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;a href="http://findingaid.auctr.edu/arc/view?docId=ead/auctr.edu/rufus_e_clement.xml" target="_blank" rel="noopener"&gt;Rufus E. Clement Records, 1933-1969 - AU Presidential Records&lt;/a&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1947 November 4</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="4131">
                <text>Atlanta University Center Robert W. Woodruff Library</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4132">
                <text>All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library of the Atlanta University Center, Inc., and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="4133">
                <text>image/jpeg</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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                <text>Correspondence</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>auc.022.0009.doc.b332f09</text>
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            <description>Temporal characteristics of the resource.</description>
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                <text>November 1947</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>The Alchemist’s Notebook: &#13;
The Satire, Remixes, and Haunts of Black Kirby &#13;
&#13;
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Suspend your disbelief with me for a moment.&#13;
&#13;
Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. &#13;
&#13;
This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. &#13;
&#13;
Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. &#13;
&#13;
However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. &#13;
&#13;
&#13;
&#13;
&#13;
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                  <text>Black Kirby (Stacey Robinson and John Jennings)&#13;
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              <name>Contributor</name>
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                  <text>Atlanta University Center Robert W. Woodruff Library</text>
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              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32724">
                  <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="31800">
                <text>auc.034.0040</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Letter to Mr. Hulbert from James Baldwin</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="31802">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="31803">
                <text>1956 September 4</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31804">
                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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            </elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="31805">
                <text>correspondence</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="31806">
                <text>Cullen-Jackman Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="31807">
                <text>eng</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31808">
                <text>Atlanta University Center Robert W. Woodruff Library</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="4245">
                <text>Letter to Rufus Clement from Siergei Powelle</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="4246">
                <text>Powelle, Siergei</text>
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              <elementText elementTextId="4247">
                <text>Atlanta University</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="4248">
                <text>&lt;a href="http://findingaid.auctr.edu/arc/view?docId=ead/auctr.edu/rufus_e_clement.xml" target="_blank" rel="noopener"&gt;Rufus E. Clement Records, 1933-1969 - AU Presidential Records&lt;/a&gt;</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="4249">
                <text>1946 August 19</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4250">
                <text>Atlanta University Center Robert W. Woodruff Library</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4251">
                <text>All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library of the Atlanta University Center, Inc., and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4252">
                <text>image/jpeg</text>
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            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="4253">
                <text>en</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Correspondence</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="4255">
                <text>auc.022.0017_0001.doc.b319f06</text>
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                <text>auc.022.0017_0002.doc.b319f06&#13;
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            <name>Temporal Coverage</name>
            <description>Temporal characteristics of the resource.</description>
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                <text>August 1946</text>
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