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                <text>Crowds at the March for Freedom carrying signs.</text>
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                <text>The Civil Rights Movement</text>
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                <text>“Even though Blair wasn’t attending the march as a National Geographic photographer, he brought his camera and a telephoto lens. And he made sure to be at the front of the crowd as it marched so when it reached the Lincoln Memorial, he could find a spot at the base of the steps.”[2]&#13;
&#13;
From the crowd of multiracial faces to the signs displaying their multicultural backgrounds, these people united with clear and concise messages chosen by the organizers of the rally. Drawing specific attention to the sign at the far right in the front of the crowd, “We demand an end to police brutality now!” begs to question, what has changed for the better in the last 57 years?&#13;
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                <text>James P. Blair</text>
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                <text>1963</text>
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                  <text>SAVC 305 Seminar in Curatorial Practice </text>
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                  <text>SAVC 305 Seminar in Curatorial Practice is designed to explore the&#13;
art and aesthetic theories&#13;
produced by and associated with&#13;
African American artists during the second half of the twentieth and the first decade of&#13;
the twenty-first century.  &#13;
&#13;
This digital collection is comprised of student selected artworks.</text>
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                <text>“From his vantage point, he could see the vastness of the demonstration. “The crowd stretched along the reflecting pool and to the Washington Monument where we had come from,” he says. It was hot; he saw people cooling their feet in the reflecting pool.” [2]&#13;
&#13;
This photo of protestors at the Lincoln Memorial, through the lens of colored photography delivers a heightened significance. A crowd of people on the Washington Monument grounds hold hands and sing during the "March on Washington" in 1963. The people are of different races. In reference with the 2020 national protests against police brutality, this photo offers a stunning reflection of where we’ve come from to where we’re at.</text>
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