143 10 1599 https://glamportal.auctr.edu/files/original/aee7f70570f6a0356fe8534590ecc58a.Jpeg 93dab325e159f789a78a6c6fad6be733 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.020.0017 Title A name given to the resource University Housing Project, Atlanta, GA (Typical Assembly Show Unit "Y") Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource still image Creator An entity primarily responsible for making the resource Hope, John Source A related resource from which the described resource is derived John Hope Records Subject The topic of the resource Atlanta University; Blueprints; Georgia--Atlanta Language A language of the resource en Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/1b2e44efe609372447d64ee1cf15258d.jpg f1c013f651f5705c3ae6ee468db715d1 https://glamportal.auctr.edu/files/original/519bd0868ba28b824cba7c0e912ab857.jpg 95b84147842d0aae99e34387de9caa95 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.022.0042_001 auc.022.0042_002 Title A name given to the resource University of Liberia: Correspondence Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1951 December 5 Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource correspondence Creator An entity primarily responsible for making the resource Clement, Rufus E., 1900-1968 Source A related resource from which the described resource is derived Rufus E. Clement records Subject The topic of the resource Personal correspondence; Students, Foreign Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/8acdcbe54211c856b4ac8553db2b2655.jpg 16b43e5a5b648e916fbf27d5ec06fde8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.bk.0047 Title A name given to the resource Untitled Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 2012-2018 Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource works of art Creator An entity primarily responsible for making the resource Black Kirby Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/93efb625d9ea0c48676fba7c560829c5.jpg 412891c3028b92f2e7dd9a20b2375b84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.bk.0048 Title A name given to the resource Untitled Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 2012-2018 Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource works of art Creator An entity primarily responsible for making the resource Black Kirby Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/75fb7bddf41c418f299c22484e9c67e8.jpg df8cb6e1f191bcb6b6c79c80dd9487db Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 12 x 9 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Dilmus Hall Date A point or period of time associated with an event in the lifecycle of the resource n.d. Description An account of the resource n.d. Contributor An entity responsible for making contributions to the resource Clark Atlanta University Art Museum Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Clark Atlanta University Art Museum, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact cauArtMuseum@gmail.com with specific object file name. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource works of art Identifier An unambiguous reference to the resource within a given context Unavailable https://glamportal.auctr.edu/files/original/2edb2e6fe293cb544014ca065e05b862.jpg 3224288e8ff28222af582422f6191fdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 243 African American Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled - Xaviera Simmons (Neema Griffin) Date A point or period of time associated with an event in the lifecycle of the resource 2010 Source A related resource from which the described resource is derived “Xaviera Simmons.” David Castillo, 16 Oct. 2020, davidcastillogallery.com/artists/xaviera-simmons/. https://glamportal.auctr.edu/files/original/2288c9787ad9a5f6697349c0d4e77a3e.jpg 3f16b65e5d3998a6591b52458ad0fa3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spelman ECP in Art History Project Description An account of the resource SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, . Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 31 x 31 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Boone Plantation) Date A point or period of time associated with an event in the lifecycle of the resource 1992 Medium The material or physical carrier of the resource. Gelatin Silver Print Creator An entity primarily responsible for making the resource Carrie Mae Weems, Amercian, born 1953 Source A related resource from which the described resource is derived High Museum of Art Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Identifier An unambiguous reference to the resource within a given context 1999.57 a-b Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Purchase https://glamportal.auctr.edu/files/original/5ed23763804a2cdae240d5b99790dd05.jpg 5e32698b5740b31091f86f4f203eeb9e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spelman ECP in Art History Project Description An account of the resource SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, . Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 66 x 60 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Cadmium) Date A point or period of time associated with an event in the lifecycle of the resource 1984 Medium The material or physical carrier of the resource. Oil, oil stick, and acrylic on canvas Creator An entity primarily responsible for making the resource Jean-Michel Basquiat, American, 1960-1988 Source A related resource from which the described resource is derived High Museum of Art Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Identifier An unambiguous reference to the resource within a given context 1993.3 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Purchase in honor of Lynne Browne, President of the Members Guild, 1992–1993, with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton., Sr., and Sarah Miller Venable and William Hoyt Venable © Basquiat Estate https://glamportal.auctr.edu/files/original/66e42263d863c1aa73c25f94947910be.jpg 23359317900c0b9c9505f4c6ce032662 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Matador) Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1944 Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name. Type The nature or genre of the resource still image Creator An entity primarily responsible for making the resource Woodruff, Hale Source A related resource from which the described resource is derived Spelman College Museum of Fine Art Extent The size or duration of the resource. 38 x 27 inches Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Medium The material or physical carrier of the resource. oil on canvas Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of E. Thomas Williams and Auldlyn Higgins Williams, New York, NY https://glamportal.auctr.edu/files/original/9ed69dd6473ab3909d629a68819013aa.jpg 5fcb3829b8b172fad5d0f635eeb948dc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Newcastle-on-Tyne) Creator An entity primarily responsible for making the resource Julien, Isaac Source A related resource from which the described resource is derived Spelman College Museum of Fine Art Date A point or period of time associated with an event in the lifecycle of the resource 1990-1999 Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Medium The material or physical carrier of the resource. Kodak Type-C color print