129 10 1599 https://glamportal.auctr.edu/files/original/92155a26e9cd10de1900ee6ec59e012a.jpg 0e3cef73be3cd131fd5849d517e0aff4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 58 x 82 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Swirl Creator An entity primarily responsible for making the resource Alexander Calder Date A point or period of time associated with an event in the lifecycle of the resource 1975 Description An account of the resource Hemp Contributor An entity responsible for making contributions to the resource Clark Atlanta University Art Museum Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Clark Atlanta University Art Museum, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact cauArtMuseum@gmail.com with specific object file name. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource works of art Identifier An unambiguous reference to the resource within a given context 1994.001.003 https://glamportal.auctr.edu/files/original/f86b57e449bfd914a8ae15e74c8462ed.jpg 2d8c1887c3eb5c8d2a29169387edb366 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spelman ECP in Art History Project Description An account of the resource SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, . Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 82 x 124 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Taago Date A point or period of time associated with an event in the lifecycle of the resource 2006 Medium The material or physical carrier of the resource. Aluminum and copper wire Creator An entity primarily responsible for making the resource El Anatsui, Ghanaian, born 1944 Source A related resource from which the described resource is derived High Museum of Art Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Identifier An unambiguous reference to the resource within a given context 2007.1 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Purchase with funds from the Fred and Rita Richman Special Initiatives Endowment Fund for African Art and Joan N. Whitcomb https://glamportal.auctr.edu/files/original/d11228c83636c911fb660d451671871e.jpg f1895463f44c06f9fcfcd633c959fe4f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 96 x 120 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tar Top Date A point or period of time associated with an event in the lifecycle of the resource 1995 Medium The material or physical carrier of the resource. Tar paper, acrylic, oil stick, encaustic, tar, plesiglass, silk flowers, dried flowers, glass, fabric, and electric lights on wood Creator An entity primarily responsible for making the resource Radcliffe Bailey, American, born 1968 Source A related resource from which the described resource is derived High Museum of Art Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Identifier An unambiguous reference to the resource within a given context 1996.2 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable, ©Radcliffe Bailey. Courtesy of the artist and Jack Shainman Gallery, New York. https://glamportal.auctr.edu/files/original/be5bf55727c6b4f1c35141b7b6fc66a7.jpg b02552f0b1a2769dfe93f509bcd1f6db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spelman ECP in Art History Project Description An account of the resource SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, . Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 14 x 10 x 8 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Target Date A point or period of time associated with an event in the lifecycle of the resource ca. 1955 Medium The material or physical carrier of the resource. Terra-cotta Creator An entity primarily responsible for making the resource Elizabeth Catlett, American, 1915-2012 Source A related resource from which the described resource is derived High Museum of Art Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Identifier An unambiguous reference to the resource within a given context 2006.28 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Purchase with funds from Bridget and Jerry Dobson and General Acquisitions Fund © Elizabeth Catlett/VAGA at Artists Rights Society (ARS), New York https://glamportal.auctr.edu/files/original/ee34bdef0b5d58c26fe6e851a3503a5e.jpg 633b6c7a8c2ddb4512b441f70208e9ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 305 Seminar in Curatorial Practice Date A point or period of time associated with an event in the lifecycle of the resource SAVC 305 Seminar in Curatorial Practice is designed to explore the art and aesthetic theories produced by and associated with African American artists during the second half of the twentieth and the first decade of the twenty-first century. This digital collection is comprised of student selected artworks. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tayo https://glamportal.auctr.edu/files/original/ad7fd5adb993e37d68abdadbc3864b2f.jpg b4ecb24819c06aab34b7a3a33d1ea80d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.bk.0042 Title A name given to the resource Tech 1 Layout Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 2012-2018 Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource works of art Creator An entity primarily responsible for making the resource Black Kirby Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/fa651dc036f8ebd8ed4017c728cf70c8.jpg 65f9285c7b8ca69dd53a9e3d5a46deff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.bk.0043 Title A name given to the resource Tech Layout 3 Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 2012-2018 Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource works of art Creator An entity primarily responsible for making the resource Black Kirby Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/ba9a4bda6a28d0a7c5b0370db5b228bc.jpg 9abfe91f04ccee26a821d47b09f6affe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.bk.0023 Title A name given to the resource Tech New Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 2012-2018 Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource works of art Creator An entity primarily responsible for making the resource Black Kirby Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/207912308aab5917970b491ab3ae9c65.jpg a8257998f62fd19374031b8e75a5ec3b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.bk.0024 Title A name given to the resource Tech Trip 1b Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 2012-2018 Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource works of art Creator An entity primarily responsible for making the resource Black Kirby Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/7274e8394cb3116ec2af36b13eed8203.jpg fb210b95eaf0e54387086b721290d745 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.bk.0025 Title A name given to the resource Tech Trip 1bc Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 2012-2018 Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource works of art Creator An entity primarily responsible for making the resource Black Kirby Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library