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                    <text>Pledging Allegiance

to

Country

and

Flag

at the

Spelman-Morehouse Patriotic Party

on

Washington’s Birthday

�</text>
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                    <text>Group portrait of Spelman Seminary and Morehouse College graduates. Written on verso: Class of 1903. Morehouse College - R.H. Carter. Spelman Seminary - Manie W. Cohron, Daisy E. Brown, Ella P. Baker, Verta Cohron</text>
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                <text>All images in this collection either are protected by copyright or are the property of Spelman College, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact hsmith12@spelman.edu with specific object file name.</text>
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                <text>Commencement ceremonies; Spelman College</text>
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                <text>Atlanta University Center Robert W. Woodruff Library</text>
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                <text>The Atlanta University Center Robert W. Woodruff Library acknowledges the generous support of the Council on Library and Information Resources (CLIR) in supporting the processing and digitization of a number of historic collections as part of the project Our Story: Digitizing Publications and Photographs of the Historically Black Atlanta University Center Institutions.</text>
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                <text>All images in this collection either are protected by copyright or are the property of the Clark Atlanta University Art Museum, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact cauArtMuseum@gmail.com with specific object file name.</text>
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                <text>Spirit Rituals</text>
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                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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                  <text>SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the  role of curators, are introduced to museums, and engage with the High Museum of Art,  art and archival collections in the Atlanta University Center and other significant  collections. Diversity of the museum and its staff as well as its changing audiences is  explored.&#13;
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Students prepare to be art historians and/or curators by completing exhibition  projects drawn from the High Museum of Art’s collection. The course is taught through a  hybrid of synchronous and asynchronous delivery.&#13;
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Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .</text>
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                <text>All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name.</text>
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                <text>embroidered silk and organza over ironing boards with photographic transfers, cast glass irons, video projections, stereo sound</text>
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                <text>Spring--Delightful Flower Bed</text>
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            <description>An account of the resource</description>
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                <text>This is an abstract and colorful mosaic-style painting with concentric circles filling a square space with a light green background. Each circle is composed of rectangular shapes of similar color and size, but each circle varies in color and width.</text>
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                <text>Alma Thomas </text>
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                <text>National Museum of African American History &amp; Culture</text>
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                <text>Collection of the Smithsonian National Museum of African American History and Culture, Gift of William J. and Brenda L. Galloway and Family</text>
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                <text>© Charles Thomas Lewis</text>
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                <text>https://nmaahc.si.edu/object/nmaahc_2015.151</text>
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                <text>Oil on canvas</text>
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                  <text>SAVC 305 Seminar in Curatorial Practice is designed to explore the&#13;
art and aesthetic theories&#13;
produced by and associated with&#13;
African American artists during the second half of the twentieth and the first decade of&#13;
the twenty-first century.  &#13;
&#13;
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                <text>Stacey Abrams</text>
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                    <text>THE AMERICAN THEATRE WING Invites you to be present at a Farewell Get-together in honor of all the active workers of the American Theatre Wing Stage Door Canteen Monday, October Twenty-ninth, 1945 at the Canteen FIVE P.M. TO NINE P.M. This Card Admits One</text>
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              <text>THE AMERICAN THEATRE WING Invites you to be present at a Farewell Get-together in honor of all the active workers of the American Theatre Wing Stage Door Canteen Monday, October Twenty-ninth, 1945 at the Canteen FIVE P.M. TO NINE P.M. This Card Admits One</text>
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                <text>Cullen, Countee, 1903-1946</text>
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                <text>Jackman, Harold, 1901-1961</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Countee Cullen-Harold Jackman Memorial Collection</text>
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                <text>1945 October 29</text>
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                <text>Atlanta University Center Robert W. Woodruff Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4922">
                <text>All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library of the Atlanta University Center, Inc., and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name.</text>
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            <name>Type</name>
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                <text>Invitations</text>
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            <name>Identifier</name>
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                <text>auc.034.0007.doc.b43f01</text>
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            <name>Identifier</name>
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                <text>auc.145.0004_001.doc</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>State Senate Campaign Materials</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Date</name>
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                <text>circa 1982</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Leaflets (printed works)</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>David Scott Vertical File</text>
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                <text>Scott, David A., 1945-</text>
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                <text>Atlanta University Center Robert W. Woodruff Library</text>
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                <text>Georgia</text>
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            <name>Temporal Coverage</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>High Museum of Art Civil Rights Photography Collection</text>
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                  <text>&lt;em&gt;Ways of Seeing: Art History, Curating and Museums&lt;/em&gt; examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.&lt;br /&gt;&lt;br /&gt;Artworks in this collection are selected from the&amp;nbsp;High Museum of Art's Civil Rights Photography Collection.&amp;nbsp;With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore.</text>
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              <name>Rights</name>
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                  <text>All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.</text>
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          <name>Physical Dimensions</name>
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              <text>6 x 9 1/16 inches</text>
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            <name>Identifier</name>
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                <text>2007.215</text>
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            <name>Title</name>
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                <text>State Trooper Gives Marchers "Two Minute Warning," Selma, Alabama</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>James "Spider" Martin, Ameican 1939-2003</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="35289">
                <text>March 7, 1965</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.</text>
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