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                  <text>SAVC 305 Seminar in Curatorial Practice </text>
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                  <text>SAVC 305 Seminar in Curatorial Practice is designed to explore the&#13;
art and aesthetic theories&#13;
produced by and associated with&#13;
African American artists during the second half of the twentieth and the first decade of&#13;
the twenty-first century.  &#13;
&#13;
This digital collection is comprised of student selected artworks.</text>
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                <text>Reverend Martin Luther King giving his I Have a Dream speech.</text>
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                <text> “When the Rev. Martin Luther King Jr. said, “I have a dream,” Blair says, “I heard that loud and clear.” When King “raised his hand and he said, ‘Free at last. Free at last. Thank God Almighty, we are free at last,’ I went click, click, click. That was it.” Blair had captured a defining moment during one of the most iconic speeches in U.S. history, and he’d done it in color, unlike most civil rights photography.” [2]&#13;
&#13;
Regarding this iconic moment, many still shots circulate public spaces. Most consisting of black and white photos, it can’t be helped when people perceive the civil rights movement as a distant moment in time. With Blair’s access to a color camera we’re not only able to marvel in the rarity of this piece of art but recontextualize this moment in proximity to our current fight for liberation.</text>
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                <text>James P. Blair</text>
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                <text>1963</text>
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                <text>The Civil Rights Movement</text>
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                <text>Photography </text>
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                  <text>Spelman ECP in Art History Project</text>
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                  <text>SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the  role of curators, are introduced to museums, and engage with the High Museum of Art,  art and archival collections in the Atlanta University Center and other significant  collections. Diversity of the museum and its staff as well as its changing audiences is  explored.&#13;
&#13;
Students prepare to be art historians and/or curators by completing exhibition  projects drawn from the High Museum of Art’s collection. The course is taught through a  hybrid of synchronous and asynchronous delivery.&#13;
&#13;
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .</text>
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                <text>Revival Meeting</text>
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                <text>1994</text>
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                <text>Oil and collage on canvas</text>
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                <text>Benny Andrews, Amercan, 1930-2006</text>
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                <text>High Museum of Art</text>
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                <text>All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.</text>
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                <text>Purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable © Estate of Benny Andrews / Licensed by VAGA, New York</text>
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                  <text>African American women--Suffrage--History; Alabama; Arkansas; Atlanta (Ga.).; Bond, Julian, 1940-2015; Branton, Wiley Austin, 1923-1988; Brown, Ed; Civil rights--Georgia--Atlanta; Coleman, Clarence D.; Florida; Georgia; Jackson, Maynard Holbrook Jr., 1938-2003; Jones, Vivian Malone; Jordan, Vernon (Vernon Eulion), 1935-; Lewis, John, 1940 Feb. 21-; Louisiana; Marcus, Sherrill; Mississippi; North Carolina; South Carolina; Southern States; Suffrage; Suffrage--Southern States--History; Tennessee; Texas; Thompson, Geraldine; United States. Voting Rights Act of 1965; Virginia; Voter Education Project (Southern Regional Council)</text>
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                  <text>All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library of the Atlanta University Center, Inc., and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name.</text>
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                <text>Political posters, American; Voter registration--United States; Young Democratic Clubs of America</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library of the Atlanta University Center, Inc., and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name.</text>
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                  <text>SAVC 243 African American Art</text>
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              <text>Two piece suit: salt and pepper wool tweed with incorporated suede bandolier containing painted wooden faux bullets: A-line skirt with zipper and jacket with ¾ length bell sleeves. Jacket and skirt lined with black silk.</text>
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                <text>Two piece suit: salt and pepper wool tweed with incorporated suede bandolier containing painted wooden faux bullets: A-line skirt with zipper and jacket with ¾ length bell sleeves. Jacket and skirt lined with black silk. This object is the artist’s unique reproduction of original 1969 lost work. a: jacket b: skirt</text>
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                <text>Brooklyn Museum</text>
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                <text>1969</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org. If you wish to contact the rights holder for this work, please email copyright@brooklynmuseum.org and we will assist if we can.</text>
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                <text>Jae Jarrell, William K. Jacobs, Jr</text>
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                <text>For this week’s #19ForThe19th challenge, Defenders of Human Rights, from @usnatarchives we’re honoring Ruby Doris Smith Robinson, one of the leaders of the Atlanta Student Movement and the only woman to ever serve as Executive Secretary for the Student Nonviolent Coordinating Committee. The Mary Ann Smith Wilson-Ruby Doris Smith Robinson collection on student activism is available for research at our Archives Research Center, and for more information on the Atlanta Student Movement and the battle for civil rights, check out our digital exhibit, Seeking to Tell A Story: http://digitalexhibits.auctr.edu/exhibits/show/seekingtotell&#13;
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                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33688">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33689">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33690">
                <text>works of art</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
