110 10 1599 https://glamportal.auctr.edu/files/original/2fd563bc6c5813faa4b63e15aaa1e087.jpg 1ec29da23595223c01c8f8453b91a460 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 243 African American Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Mickalene Thomas Subject The topic of the resource Artist Mickalene Thomas Creator An entity primarily responsible for making the resource Larry Qualls Source A related resource from which the described resource is derived Larry Qualls. 27-Sep-12, Image: 2012. Mickalene Thomas. https://library-artstor-org.ezproxy.auctr.edu/asset/AWSS35953_35953_35434607. Date A point or period of time associated with an event in the lifecycle of the resource 2012 Medium The material or physical carrier of the resource. Photograph https://glamportal.auctr.edu/files/original/b79a11a25f9d70706e4c1b1153a6df73.jpg 59da893e85bc07d43c9a2e52029536ed Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Pauli Murray as a Child Subject The topic of the resource Pauli Murray as a young girl Source A related resource from which the described resource is derived https://www.radcliffe.harvard.edu/schlesinger-library/collection/pauli-murray Date A point or period of time associated with an event in the lifecycle of the resource 1913 Publisher An entity responsible for making the resource available Schlesinger Library, Radcliffe Institute, Harvard University Rights Information about rights held in and over the resource Schlesinger Library, Radcliffe Institute, Harvard University https://glamportal.auctr.edu/files/original/a909a7ec3aa2ef1e8c96e5caa5afc363.jpg 9c0eada005a1d8bfbb91e8c21683c9d5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Black-and-white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of soldier against a car Subject The topic of the resource African American soldiers; United States--Armed Forces--African Americans Source A related resource from which the described resource is derived Ash Family Photographs Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library of the Atlanta University Center, Inc., and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource en Type The nature or genre of the resource Black-and-white photographs Identifier An unambiguous reference to the resource within a given context soldier.ashfamilyphotos https://glamportal.auctr.edu/files/original/3d46984226d358416b7742edced97cd4.jpg f731507a8dfd29cf1a4f77060ffa1c3b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.026.0009 Title A name given to the resource Photograph of Voter Registration Drive participants Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource Black-and-white photographs Source A related resource from which the described resource is derived Clarence Bacote collection Subject The topic of the resource Voter registration--Georgia--Atlanta Language A language of the resource en Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Spatial Coverage Spatial characteristics of the resource. Georgia--Atlanta https://glamportal.auctr.edu/files/original/0e90d9d0a62ddef3d617f1912cadf678.jpg 376a5f5ea73ee315ee7a2a9eb286e256 https://glamportal.auctr.edu/files/original/b916a05faab329f13f8bc66f6a3f45ae.jpg 8ed2e8f1c3ec00d9e5a7633afb1e1c1f https://glamportal.auctr.edu/files/original/ae1de277cd7d276c20fb7ae3c1f5e795.jpg 32d8aa0ac234c14adebd5b5d5856401a https://glamportal.auctr.edu/files/original/55902b82f34052f4d6795254804a3b5e.jpg af878482eefbdb95012f6b27c047beee https://glamportal.auctr.edu/files/original/004632a9c2dac1cbb3332e67e33ba311.jpg 84692c440f3a30486ff270c0e46aecfc https://glamportal.auctr.edu/files/original/fbdf3b22a3f5fc09be4db045f9f31c22.jpg 7370cc05f11189d18d24ade8be75def5 https://glamportal.auctr.edu/files/original/9d97548857bc8e16d5c911ecef033a64.jpg e544201451b444071ecbff96acc4609f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.002.0002 Title A name given to the resource Phylon V1/Issue 1 Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1940 Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource journals (periodicals) Source A related resource from which the described resource is derived Atlanta University Printed and Published materials Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/a4aa58cd9899620b9100bc085dd94378.jpg d80b79caa193d233807929d36fc286bd https://glamportal.auctr.edu/files/original/9ba0de2e4e07d5b67795c938b7bb231f.jpg d1d9dadb6d9df7898a3aba8a0a250ced https://glamportal.auctr.edu/files/original/ae38903c5b53fd1b34382f1f6de81bbd.jpg 6631ca53fe087e76f8046666e4c98be3 https://glamportal.auctr.edu/files/original/f57b12e912a5f8af6940d851b7d79426.jpg d7111c9de552b7ea1420d498ff709dfd https://glamportal.auctr.edu/files/original/6d48b456598b1e7b3fe1e866887676b4.jpg e55ad39a3aa0e659ad31cee6c3090bbb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.052.0001 Title A name given to the resource Physics Exam Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1919 Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource archival materials Source A related resource from which the described resource is derived Harry B. Richardson Papers Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/4ee9f93afde8676428bc215a2cedb0ac.jpg 98854d221e9d113f4f9288217009f951 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource <em>Ways of Seeing: Art History, Curating and Museums</em> examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.<br /><br />Artworks in this collection are selected from the&nbsp;High Museum of Art's Civil Rights Photography Collection.&nbsp;With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 13 1/2 x 9 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1994.64 Title A name given to the resource Picketing the Courthouse, Monroe, North Carolina Creator An entity primarily responsible for making the resource Declan Haun, American 1937-1994 Format The file format, physical medium, or dimensions of the resource image/jpeg Date Created Date of creation of the resource. August 26, 1961 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/a4c71b8162f82b25347b520c442a0dd8.jpg 8ea6da5d8736cfb9154d68cd31c6b1ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spelman ECP in Art History Project Description An account of the resource SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, . Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Serigraph Physical Dimensions The actual physical size of the original image 12 in x 9.5 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pickets Creator An entity primarily responsible for making the resource DeCarava, Roy Source A related resource from which the described resource is derived Clark Atlanta University Art Museum Date A point or period of time associated with an event in the lifecycle of the resource 1946 Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Clark Atlanta University Art Museum, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact cauArtMuseum@gmail.com with specific object file name. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Screen prints Identifier An unambiguous reference to the resource within a given context 1946 Extent The size or duration of the resource. 12 in x 9.5 in Medium The material or physical carrier of the resource. Serigraph https://glamportal.auctr.edu/files/original/271e7bfdfe40ef6359dcbc8c2656223e.jpg a3f041e51499fae359e1e42d299c46c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.bk.0039 Title A name given to the resource Pig Detector Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 2012-2018 Rights Information about rights held in and over the resource This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource works of art Creator An entity primarily responsible for making the resource Black Kirby Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/a8236004e688e80132218128ff6e33b1.jpg 34ac5ce8773d080320236e5e7032f486 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 78 x 78 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pig in a Pen —center medallion Creator An entity primarily responsible for making the resource Nellie Pettaway Date A point or period of time associated with an event in the lifecycle of the resource c. 1955 Description An account of the resource Cotton Contributor An entity responsible for making contributions to the resource Clark Atlanta University Art Museum Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Clark Atlanta University Art Museum, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact cauArtMuseum@gmail.com with specific object file name. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource works of art Identifier An unambiguous reference to the resource within a given context Unavailable