101 10 1599 https://glamportal.auctr.edu/files/original/f1f11e7e4e03ce8a489bb2f868f50a0d.jpg f2ca4d428bb2c7be1a1b50499a7af80e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Alchemist’s Notebook: The Satire, Remixes, and Haunts of Black Kirby Description An account of the resource Suspend your disbelief with me for a moment. Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. Creator An entity primarily responsible for making the resource Black Kirby (Stacey Robinson and John Jennings) Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context sc.001.messenger.1982.03_020 Title A name given to the resource Words for the Sheroes of Spelman’s Second Century, Spelman Messenger Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1989 Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource publications (documents) Creator An entity primarily responsible for making the resource Spelman College Source A related resource from which the described resource is derived Angelou, Maya Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/e32368d189ed1cd8b16c31d67759b1e5.jpg 5a1205d4b3aa93d583262cfd42fbe3e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.098.0051.doc Title A name given to the resource Blacks Hold 87 Offices As Executives of Cities Format The file format, physical medium, or dimensions of the resource image/tiff Date A point or period of time associated with an event in the lifecycle of the resource 1972 September 24 Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource Clippings (information artifacts) Creator An entity primarily responsible for making the resource St. Louis Post-Dispatch Source A related resource from which the described resource is derived Johnson Publishing Company Clippings File Collection Subject The topic of the resource African American politicians Language A language of the resource en Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/0e90dd200c4751213a71802d224be308.jpg 458595ac711cc398699586b34932ced1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.098.0024.doc Title A name given to the resource Milestone, St. Louis Dispatch clipping Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource circa 1960 Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource Clippings (information artifacts) Creator An entity primarily responsible for making the resource St. Louis Post-Dispatch Source A related resource from which the described resource is derived Johnson Publishing Company Clippings File Collection Subject The topic of the resource African Americans--Suffrage; United States. Department of Justice. Civil Rights Division.; Voter registration--United States Language A language of the resource en Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/117d1d58b4808087730b4e648ed6c74b.jpg 006d6abc0ee4ae7b11e128fdbc086a20 https://glamportal.auctr.edu/files/original/53c362be7f66adb815334c95abf266df.jpg 2948f5033f2584decf971137e7b8dd66 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Hope Bust “I Am a Part of All That I Have Met” Creator An entity primarily responsible for making the resource Steffan Thomas Date A point or period of time associated with an event in the lifecycle of the resource 1936 Description An account of the resource Sculpture Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource works of art https://glamportal.auctr.edu/files/original/9cd4e3aa3c4041e69fb59c15ef5963da.jpg a4b906393c99d76288dc402efa05609f https://glamportal.auctr.edu/files/original/fc0b1d9e6823feffe7b2e8f8fecdc29d.jpg 370e63613a4fd9c76fd925d7d20c9451 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Dash of Success Creator An entity primarily responsible for making the resource Steve Murray Source A related resource from which the described resource is derived JPC- Subject: Motion Picture (Black directors and Film makers) Date A point or period of time associated with an event in the lifecycle of the resource 1992 Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Language A language of the resource en Type The nature or genre of the resource Newspaper Identifier An unambiguous reference to the resource within a given context access_only/auc.xxx.access_only.0003 https://glamportal.auctr.edu/files/original/3c1465c897933c31d3fbbf2a8a79f9dd.jpg e22c2ef9a80daf4aebdf6ef2570e0a92 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8 11/16 x 13 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.22 Title A name given to the resource Freedom Bus, Summer of '64, Oxford, Ohio Creator An entity primarily responsible for making the resource Steve Schapiro, American born 1936 Date Created Date of creation of the resource. 1964 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/8bf1bd2d15ec4d9e8bd64b8c400b053d.jpg 75de5916a4b700ceb6c72e7ae5bd337a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8 11/16 x 13 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.23 Title A name given to the resource Youth with American Flag, Selma to Montgomery March, Alabama Creator An entity primarily responsible for making the resource Steve Schapiro, American born 1936 Date Created Date of creation of the resource. 1965 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/7b7f40de2082e295f40eddfdf38ff669.jpg cea0e598c639ad35c4a91a051d1891a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8 11/16 x 13 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.233 Title A name given to the resource "Segregation Forever," Fort Lauderdale, Florida Creator An entity primarily responsible for making the resource Steve Schapiro, American born 1936 Date Created Date of creation of the resource. 1964 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/cea00edee18b27ca362ddf5a8311a573.jpg 881cd10a7f3606a16e467587e51b716d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lumumba Creator An entity primarily responsible for making the resource Steven Allen Date A point or period of time associated with an event in the lifecycle of the resource 2017 Description An account of the resource Acrylic on Canvas Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource works of art https://glamportal.auctr.edu/files/original/096c024acbb2ffeed3b8811609c76333.jpg b09dd3cb7f38364a83b32c9cdf179428 https://glamportal.auctr.edu/files/original/b007caee0f53e65e8d358f2ac205ff42.jpg f88b8b8d2a8559229693bf9e1b01234d https://glamportal.auctr.edu/files/original/1e7bd735f5d213a59e9bb61243cb15cf.jpg 64473cdaf07bfde3fc33432e7d060534 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.084.0001_001.doc auc.084.0001_002.doc auc.084.0001_003.doc Title A name given to the resource Give Them a Future in Southwest Georgia Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource circa 1963-1966 Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource Booklets Creator An entity primarily responsible for making the resource Student Nonviolent Coordinating Committee (U.S.) Source A related resource from which the described resource is derived SNCC Vertical File Subject The topic of the resource African Americans--Suffrage; Georgia; Student Nonviolent Coordinating Committee (U.S.) Language A language of the resource en Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Spatial Coverage Spatial characteristics of the resource. Georgia Temporal Coverage Temporal characteristics of the resource. circa 1960s