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            <name>Title</name>
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                <text>SAVC 305 Seminar in Curatorial Practice </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>SAVC 305 Seminar in Curatorial Practice is designed to explore the&#13;
art and aesthetic theories&#13;
produced by and associated with&#13;
African American artists during the second half of the twentieth and the first decade of&#13;
the twenty-first century.  &#13;
&#13;
This digital collection is comprised of student selected artworks.</text>
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          <name>Title</name>
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              <text>Crowd holding hands and singing.</text>
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          <name>Subject</name>
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              <text>The Civil Rights Movement</text>
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              <text>“From his vantage point, he could see the vastness of the demonstration. “The crowd stretched along the reflecting pool and to the Washington Monument where we had come from,” he says. It was hot; he saw people cooling their feet in the reflecting pool.” [2]&#13;
&#13;
This photo of protestors at the Lincoln Memorial, through the lens of colored photography delivers a heightened significance. A crowd of people on the Washington Monument grounds hold hands and sing during the "March on Washington" in 1963. The people are of different races. In reference with the 2020 national protests against police brutality, this photo offers a stunning reflection of where we’ve come from to where we’re at.</text>
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          <name>Creator</name>
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              <text>James P. Blair</text>
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              <text>Natgeo Image Collection</text>
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              <text>1963</text>
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              <text>Photography </text>
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