59 10 1599 https://glamportal.auctr.edu/files/original/6e7e9387064ffac9fefe16efdaaf8343.pdf acfa59092cf37be3b67e7c280482426f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Homes Subject The topic of the resource Low Income Housing Demolished for Mixed-Income Communities Description An account of the resource Although University Homes is not specifically mentioned in the Outkast Discography the two make it a point to shout out other housing projects of Atlanta and black neighborhoods in their songs. In 'Ova Da Wudz' Big Boi raps "Something's gotta give!/Yeah, you know what I'm sayin? Uhh/Herndon Homes, unh, Martel Homes, Carver Homes, Techwood Martin Luther King, Bankhead." The duo specifically discuss Techwood because of it's demolishment in proximity to the Olympics in 96 Publisher An entity responsible for making the resource available Stankonia AUC Woodruff Archives Language A language of the resource English https://glamportal.auctr.edu/files/original/ac804d99e6dd426643b8b2cc147f8011.pdf 0299c112f87378538c169f17d5d26c63 https://glamportal.auctr.edu/files/original/f48418711440fc133685a2be94421ccb.pdf fa049c9caec58d2c74faf3c4a87efc47 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Welcome to Stankonia: A History of Atlanta as mentioned in OutKast's Discography Description An account of the resource This digital exhibit contains photos and history of the Atlanta metro area, as mentioned in the discography of Outkast Creator An entity primarily responsible for making the resource Jalisa Jones Source A related resource from which the described resource is derived Idlewild 2006 Speakerboxxx/The Love Below 2004 Stankonia 2000 Aquemini 1998 Aquemini 1996 The AUC Woodruff Library Publisher An entity responsible for making the resource available The AUC Woodruff Library Contributor An entity responsible for making contributions to the resource Jalisa Jones Language A language of the resource English https://glamportal.auctr.edu/files/original/b0dc4d4df7e6845d1e608c4ca7a266b9.jpg 50ad1f3cbe664fec2f5ee8949f9dc0d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 6 x 9 1/16 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.215 Title A name given to the resource State Trooper Gives Marchers "Two Minute Warning," Selma, Alabama Creator An entity primarily responsible for making the resource James "Spider" Martin, Ameican 1939-2003 Date Created Date of creation of the resource. March 7, 1965 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/c93724462eec5bca6b28b84061942dd8.jpg 2187c67c67c3bb47a9d4574eda343098 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9 15/16 x 13 11/16 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.245 Title A name given to the resource Passive Resistance Training, SNCC Creator An entity primarily responsible for making the resource James Karales, American 1930-2002 Date Created Date of creation of the resource. 1960 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/b14506a8c1fd9860faebaea72c68e05b.jpg f5dd96153e2e931568e9a0e0d34c5b72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9 5/8 x 7 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2008.38 Title A name given to the resource Dr. Martin Luther King Jr. at Home with his Family, 1962 (In Kitchen) Creator An entity primarily responsible for making the resource James Karales, American 1930-2002 Date Created Date of creation of the resource. 1962 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Vintage gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/4db434d6c2213676889cd5a9674c1332.jpg d87bd1baabeb9d9a1c00c118a0aad566 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 6 1/16 x 9 1/2 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2008.36 Title A name given to the resource Dr. Martin Luther King Jr. at Home with his Family, 1962 (In Front of Swing Set) Creator An entity primarily responsible for making the resource James Karales, American 1930-2002 Date Created Date of creation of the resource. 1962 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Vintage gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/5a8889124dbda522a276518a990f17e8.jpg f9adf0dfbe0d9e5352ca36dcdefab475 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8 3/8 x 6 7/8 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2006.84 Title A name given to the resource Cleaning the Pool, St. Augustine, Florida Creator An entity primarily responsible for making the resource James Kerlin, American active 1940s-1970s Format The file format, physical medium, or dimensions of the resource image/jpeg Date Created Date of creation of the resource. June 18, 1964 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/85e2a019fee7ac6b1c4f9b31b491b99c.png 773d3b3c90d14e3a73f7d7cbf70141d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 305 Seminar in Curatorial Practice Date A point or period of time associated with an event in the lifecycle of the resource SAVC 305 Seminar in Curatorial Practice is designed to explore the art and aesthetic theories produced by and associated with African American artists during the second half of the twentieth and the first decade of the twenty-first century. This digital collection is comprised of student selected artworks. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crowds at the March for Freedom carrying signs. Subject The topic of the resource The Civil Rights Movement Description An account of the resource “Even though Blair wasn’t attending the march as a National Geographic photographer, he brought his camera and a telephoto lens. And he made sure to be at the front of the crowd as it marched so when it reached the Lincoln Memorial, he could find a spot at the base of the steps.”[2] From the crowd of multiracial faces to the signs displaying their multicultural backgrounds, these people united with clear and concise messages chosen by the organizers of the rally. Drawing specific attention to the sign at the far right in the front of the crowd, “We demand an end to police brutality now!” begs to question, what has changed for the better in the last 57 years? Creator An entity primarily responsible for making the resource James P. Blair Publisher An entity responsible for making the resource available Natgeo Image Collection Date A point or period of time associated with an event in the lifecycle of the resource 1963 Format The file format, physical medium, or dimensions of the resource Photography https://glamportal.auctr.edu/files/original/5a9a3dbebf072b889e7054d568ae142e.jpg 15e29cbdef7a793c131874523e348406 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 305 Seminar in Curatorial Practice Date A point or period of time associated with an event in the lifecycle of the resource SAVC 305 Seminar in Curatorial Practice is designed to explore the art and aesthetic theories produced by and associated with African American artists during the second half of the twentieth and the first decade of the twenty-first century. This digital collection is comprised of student selected artworks. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crowd holding hands and singing. Subject The topic of the resource The Civil Rights Movement Description An account of the resource “From his vantage point, he could see the vastness of the demonstration. “The crowd stretched along the reflecting pool and to the Washington Monument where we had come from,” he says. It was hot; he saw people cooling their feet in the reflecting pool.” [2] This photo of protestors at the Lincoln Memorial, through the lens of colored photography delivers a heightened significance. A crowd of people on the Washington Monument grounds hold hands and sing during the "March on Washington" in 1963. The people are of different races. In reference with the 2020 national protests against police brutality, this photo offers a stunning reflection of where we’ve come from to where we’re at. Creator An entity primarily responsible for making the resource James P. Blair Publisher An entity responsible for making the resource available Natgeo Image Collection Date A point or period of time associated with an event in the lifecycle of the resource 1963 Format The file format, physical medium, or dimensions of the resource Photography https://glamportal.auctr.edu/files/original/ceaf1aa8a8d80518faa1573901c40ed1.jpg f6387573e97eceb00c0fc6b1a316337c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 305 Seminar in Curatorial Practice Date A point or period of time associated with an event in the lifecycle of the resource SAVC 305 Seminar in Curatorial Practice is designed to explore the art and aesthetic theories produced by and associated with African American artists during the second half of the twentieth and the first decade of the twenty-first century. This digital collection is comprised of student selected artworks. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reverend Martin Luther King giving his I Have a Dream speech. Description An account of the resource “When the Rev. Martin Luther King Jr. said, “I have a dream,” Blair says, “I heard that loud and clear.” When King “raised his hand and he said, ‘Free at last. Free at last. Thank God Almighty, we are free at last,’ I went click, click, click. That was it.” Blair had captured a defining moment during one of the most iconic speeches in U.S. history, and he’d done it in color, unlike most civil rights photography.” [2] Regarding this iconic moment, many still shots circulate public spaces. Most consisting of black and white photos, it can’t be helped when people perceive the civil rights movement as a distant moment in time. With Blair’s access to a color camera we’re not only able to marvel in the rarity of this piece of art but recontextualize this moment in proximity to our current fight for liberation. Creator An entity primarily responsible for making the resource James P. Blair Publisher An entity responsible for making the resource available Natgeo Image Collection Date A point or period of time associated with an event in the lifecycle of the resource 1963 Subject The topic of the resource The Civil Rights Movement Medium The material or physical carrier of the resource. Photography https://glamportal.auctr.edu/files/original/890cc3bd0515155e12fdbfc54eb7ab85.jpg 271fc3d06e3d9e2861a7b8343dc586ad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 15 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cloth doll Creator An entity primarily responsible for making the resource Janie Hunter Date A point or period of time associated with an event in the lifecycle of the resource c.1980 Description An account of the resource Unavailable Contributor An entity responsible for making contributions to the resource Clark Atlanta University Art Museum Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Clark Atlanta University Art Museum, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact cauArtMuseum@gmail.com with specific object file name. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource works of art Identifier An unambiguous reference to the resource within a given context 2006.005.008