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                    <text>on verso: Harlem on My Mind: Cultural Capital of Black America 1900-1968 Poets and Heroes Ethel Waters Early in the 1920's Ed Smalls was known for his Sugar Cane Club, a damp basement rendezvous near 135th Street and 5th Avenue. Here the handsome singer Ethel Waters began her down-to-earth, low-down-blues singing career, long before she was known to white audiences, who were finding Harlem's ultra night spots pleasurable. During the jazz era, Ethel Waters was one who gave classic salute to "It' Don't Mean a Thing" and "Stormy Weather." Her life story, "His Eye is on the Sparrow," recounting her career thru the challenging 20's, the depression of the 30's, to her success years in "A Member of the Wedding," is now being considered material for a Broadway show.</text>
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                <text>All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name.</text>
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                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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                <text>For this week’s @usnatarchives #19ForThe19th challenge, Women in the Arts, we’re honoring American conductor, Eva Jessye. Active during the Harlem Renaissance, Jessye was the first African American woman to receive international distinction as a choral conductor. Her collection is available for viewing by appointment at our Archives Research Center and make sure to check out our GLAM Center for Collaborative Teaching and Learning’s digital collections available at glam.auctr.edu&#13;
#RightfullyHers</text>
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Growing up, Booker would sew and create clothing with all types of fabric. Ridlock tells the tale of human adventure and experience. Through the concave and convex patterns of the material, and interpretation of the complexities of mankind is being depicted. When one thinks of the word, “gridlock,” an association to traffic jams and intersecting streets is made. Gridlock calls for the contemplation of how human challenges cause and affect mental stability and growth.&#13;
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                <text>Frank Espich, Courtesy Marlborough Gallery, New York</text>
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100 x 48 x 20 in. </text>
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                <text>Rubber tire and stainless steel, 2 pieces,</text>
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                <text>Faith Ringgold</text>
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                <text>Image and original data provided by Larry Qualls</text>
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                <text>Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.</text>
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