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art and aesthetic theories&#13;
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the twenty-first century.  &#13;
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                <text>This image taken by Bernard J. Kleina depicts civil rights leader, Dr. Martin Luther King, Jr. at an event during the Chicago Freedom Movement. In this image, Dr. King, Jr. appears to be preparing to deliver a speech of some sort. King, Jr. is known for his prominent delivery of speeches during the civil rights period, but rarely were they documented in color; making this image a rarity for most. In this photo, Dr. King, Jr. can be seen with a subtle smirk, looking down at the podium. In front of him are a variety of microphones, and behind are several African American spectators. </text>
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                <text>Kutner, Max. “A Collection of Rare Color Photographs Depicts MLK Leading the Chicago Freedom Movement.” Smithsonian.com, Smithsonian Institution, 5 Aug. 2014, www.smithsonianmag.com/smithsonian-institution/rare-collection-color-photographs-depicts-martin-luther-king-chicago-freedom-movement-180952248/. </text>
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                <text>Dr. Martin Luther King, Jr. during the Chicago Freedom Movement (Smithsonian)</text>
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                  <text>CAU SLIS Vertical File; Countee Cullen-Harold Jackman memorial collection; Virginia Lacy Jones papers</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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                  <text>&lt;p&gt;Prior to the gains made during the Civil Rights movement, library schools, like other educational institutions, were typically segregated based on race. Filling the void created when the Hampton Institute (now known as Hampton University) School of Library and Information Services closed in 1941, Atlanta University opened its own School of Library and Information Services. The program would later be known as the Clark Atlanta University School of Library and Information Studies when Atlanta University merged with Clark College in 1989. Though CAU’s School of Library and Information Studies closed its doors in 2005, the Archives Research Center (ARC) at the Atlanta University Center (AUC) Robert W. Woodruff Library houses several collections showcasing the contributions to the field of librarianship made by faculty and staff at the AUC as well as prominent black librarians outside the AUC. The first director of the AUC Robert W. Woodruff Library (and namesake of the library’s Exhibitions Hall), &lt;a href="http://findingaids.auctr.edu/repositories/2/resources/66" target="_blank" rel="noopener"&gt;Virginia Lacy Jones&lt;/a&gt; was the second African American to earn a doctorate in Library Science from the University of Chicago. Working alongside Jones at Atlanta University’s School of Library and Information Service was &lt;a href="http://findingaids.auctr.edu/repositories/2/resources/141" target="_blank" rel="noopener"&gt;Hallie B. Brooks&lt;/a&gt; who taught at AU for 47 years. Other prominent black librarians featured throughout ARC collections include: Dorothy Porter, who built Howard University’s Moorland-Spingarn Research Center into the world-class research institution it is today, Sadie Peterson Delaney, a pioneer in bibliotherapy who served as chief librarian of the Veterans Administration Hospital in Tuskegee, AL for 34 years, and Arna Wendell Bontemps, head librarian at Fisk University and noted Harlem Renaissance figure.&lt;/p&gt;&#13;
&lt;p&gt;If you’d like to explore these collections further, contact the Archives Research Center at archives@auctr.edu to make an appointment, and stay tuned for our upcoming exhibit on the history of AUC’s library school.&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Dr. Sadie Peterson Delaney "Great Humanitarian"</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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                <text>An article written on the career and accomplishments of Dr. Sadie Peterson Delaney. The author also mentions of Delaney's humanitarian work, discussing her dedication to working with the "socially handicapped." Written on recto: It will probably be two or three years [?] I retire. S.P.D.</text>
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                <text>African American librarians; African Americans--Education, African American women</text>
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                <text>Countee Cullen-Harold Jackman Memorial Collection</text>
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                  <text>African American women--Suffrage--History; Alabama; Arkansas; Atlanta (Ga.).; Bond, Julian, 1940-2015; Branton, Wiley Austin, 1923-1988; Brown, Ed; Civil rights--Georgia--Atlanta; Coleman, Clarence D.; Florida; Georgia; Jackson, Maynard Holbrook Jr., 1938-2003; Jones, Vivian Malone; Jordan, Vernon (Vernon Eulion), 1935-; Lewis, John, 1940 Feb. 21-; Louisiana; Marcus, Sherrill; Mississippi; North Carolina; South Carolina; Southern States; Suffrage; Suffrage--Southern States--History; Tennessee; Texas; Thompson, Geraldine; United States. Voting Rights Act of 1965; Virginia; Voter Education Project (Southern Regional Council)</text>
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                  <text>Voter Education Project organizational records</text>
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                  <text>Atlanta University Center Robert W. Woodruff Library</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library of the Atlanta University Center, Inc., and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name.</text>
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                <text>Draft Program: 20th Anniversary Conference on Voter Participation</text>
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                <text>Atlanta (Ga.); McDonald, Laughlin; Simmons, Althea T. L., 1924-1990; Thompson, Geraldine; Voter Education Project (Southern Regional Council)</text>
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                <text>Voter Education Project (Southern Regional Council)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Voter Education Project organizational records</text>
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            <name>Date</name>
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                <text>Atlanta University Center Robert W. Woodruff Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6263">
                <text>All images in this collection either are protected by copyright or are the property of the Robert W. Woodruff Library of the Atlanta University Center, Inc., and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific object file name.</text>
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                  <text>&lt;em&gt;Ways of Seeing: Art History, Curating and Museums&lt;/em&gt; examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.&lt;br /&gt;&lt;br /&gt;Artworks in this collection are selected from the&amp;nbsp;High Museum of Art's Civil Rights Photography Collection.&amp;nbsp;With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.</text>
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            <name>Identifier</name>
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                <text>2006.238.4</text>
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            <description>A name given to the resource</description>
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                <text>Drinking Fountains in the Dougherty County Courthouse</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Danny Lyon, American, born 1942</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1962</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34999">
                <text>All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.</text>
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                <text>Gelatin silver print</text>
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                <text>High Museum of Art</text>
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                  <text>The Alchemist’s Notebook: &#13;
The Satire, Remixes, and Haunts of Black Kirby &#13;
&#13;
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                  <text>Suspend your disbelief with me for a moment.&#13;
&#13;
Imagine the alchemists at work in their lair. Watch as they use a set of rusty tools to handle raw, crude materials and melt them down to more malleable forms. As they carefully mix the isolated substances together, listen as they whisper a forgotten tongue from a dusty leather-bound notebook. When the ritual is over and the notebook has been cast aside into the shadows, you witness the substance start to stir. As it twists and turns in the immense heat, you smell the stench of a hot fusion that breathes life into a new creation, indeed a new element, that has never existed before. &#13;
&#13;
This new element is the art of Black Kirby, and this exhibition provides a peek into their notebook of esoteric spells. &#13;
&#13;
Black Kirby—the pseudonym assumed by the acclaimed visual artists and professors John Jennings and Stacey Robinson—are Alchemists. They take raw materials from black history, hip hop, and comic book mythology and remix them to create new universes, never-before seen technologies, and biting satires about the world we live in today. Each of the Black Kirby images serves as a funky rare artifact from an alternate universe, fully formed, and autonomous from its earthly origins. &#13;
&#13;
However, sourced from the Archives Research Center collections, this exhibition investigates these origins by patching together the real-world historical influences eluded to in Black Kirby’s pieces. While the list of the full ingredients in Black Kirby’s cauldron remains a tightly guarded secret, a glimpse in the alchemist’s notebook will help illustrate the historical narratives and traditions in conversation with their work. &#13;
&#13;
&#13;
&#13;
&#13;
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                  <text>Atlanta University Center Robert W. Woodruff Library</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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                <text>Du Bois, W.E.B. </text>
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                <text>1946</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31832">
                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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                <text>Van Vechten, Carl</text>
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                <text>Carl Van Vechten Photographs (Cullen-Jackman Collection)</text>
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            <description>A language of the resource</description>
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                <text>Atlanta University Center Robert W. Woodruff Library</text>
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                <text>E. Nwachuku-Jarret: Correspondence</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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                <text>Clement, Rufus E., 1900-1967</text>
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                <text>E.G. O'Neil Correspondence</text>
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                <text>Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).</text>
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