39
10
1599
-
https://glamportal.auctr.edu/files/original/3e6a22ecfe48713fefcc290924bddd74.jpg
295fb6818d2e5b5467bca87f9a1a94bf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
High Museum of Art Civil Rights Photography Collection
Description
An account of the resource
<em>Ways of Seeing: Art History, Curating and Museums</em> examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.<br /><br />Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore.
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2007.204
Title
A name given to the resource
Selma, October 7, 1963
Creator
An entity primarily responsible for making the resource
Danny Lyon, American, born 1942
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Date Created
Date of creation of the resource.
1963
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Medium
The material or physical carrier of the resource.
Vintage silver print
Source
A related resource from which the described resource is derived
High Museum of Art
-
https://glamportal.auctr.edu/files/original/ab87cd11549c6be45abcea3775dea9bd.jpg
14039d5c1fd9d5b51467947a6f00a3a7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
High Museum of Art Civil Rights Photography Collection
Description
An account of the resource
<em>Ways of Seeing: Art History, Curating and Museums</em> examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.<br /><br />Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore.
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
6 1/4 x 9 3/16 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2007.206
Title
A name given to the resource
Atlanta
Creator
An entity primarily responsible for making the resource
Danny Lyon, American, born 1942
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Date Created
Date of creation of the resource.
1963
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Medium
The material or physical carrier of the resource.
Gelatin silver print
Source
A related resource from which the described resource is derived
High Museum of Art
-
https://glamportal.auctr.edu/files/original/171bcef1b365b67ecf8760d54499bb87.jpg
8520835e2188aff552253df83d343bdd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
High Museum of Art Civil Rights Photography Collection
Description
An account of the resource
<em>Ways of Seeing: Art History, Curating and Museums</em> examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.<br /><br />Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore.
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2007.209
Title
A name given to the resource
Woman Vilifies a Demonstrator, Atlanta, Georgia
Creator
An entity primarily responsible for making the resource
Danny Lyon, American, born 1942
Date Created
Date of creation of the resource.
1963
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Medium
The material or physical carrier of the resource.
Gelatin silver print
Source
A related resource from which the described resource is derived
High Museum of Art
-
https://glamportal.auctr.edu/files/original/9fe3dc0311538395c64c0e395ce09c3a.jpg
880c55a1f350500e2f1b9ae521af02e6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
High Museum of Art Civil Rights Photography Collection
Description
An account of the resource
<em>Ways of Seeing: Art History, Curating and Museums</em> examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.<br /><br />Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore.
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2007.21
Title
A name given to the resource
James Foreman Arrested Outside of Leb's Deli, Atlanta
Creator
An entity primarily responsible for making the resource
Danny Lyon, American, born 1942
Date Created
Date of creation of the resource.
1963
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Medium
The material or physical carrier of the resource.
Gelatin silver print
Source
A related resource from which the described resource is derived
High Museum of Art
-
https://glamportal.auctr.edu/files/original/ad6e6d7b385d280326e7d0d1d8e914ba.jpg
8eb227e549a1add73eb98c81def4c6be
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
High Museum of Art Civil Rights Photography Collection
Description
An account of the resource
<em>Ways of Seeing: Art History, Curating and Museums</em> examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.<br /><br />Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore.
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2007.214
Title
A name given to the resource
Stokely Carmichael, Confrontation with National Guard, Cambridge, Maryland
Creator
An entity primarily responsible for making the resource
Danny Lyon, American, born 1942
Date Created
Date of creation of the resource.
1964
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Medium
The material or physical carrier of the resource.
Gelatin silver print
Source
A related resource from which the described resource is derived
High Museum of Art
-
https://glamportal.auctr.edu/files/original/828363357a1ebae877faad9705246884.jpg
0e724beee4e64f4daabe905fe70a1fba
https://glamportal.auctr.edu/files/original/923217b3868a3b01d2137b2f94793699.jpg
b44f5455cd5a89c5b2fe566c6a2d81fb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
auc.145.0009_001
auc.145.0009_002
Title
A name given to the resource
J.C. Daugherty campaign brochure
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Date
A point or period of time associated with an event in the lifecycle of the resource
1968
Rights
Information about rights held in and over the resource
Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name).
Type
The nature or genre of the resource
Brochures
Creator
An entity primarily responsible for making the resource
Daugherty, Julius Cornelius, 1924-1987
Source
A related resource from which the described resource is derived
Julius C. Daugherty, Sr. biographical file
Subject
The topic of the resource
Daugherty, Julius Cornelius, 1924-1987
Language
A language of the resource
en
Contributor
An entity responsible for making contributions to the resource
Atlanta University Center Robert W. Woodruff Library
-
https://glamportal.auctr.edu/files/original/edb645f2d4f6db9d3ba8a5013ced167f.jpg
5e2f770e859a180694639e91d5afefe3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
20 × 30 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mary Parker and Caela Cowan
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Medium
The material or physical carrier of the resource.
Pigmented inkjet print
Creator
An entity primarily responsible for making the resource
Dawoud Bey, American, born 1953
Source
A related resource from which the described resource is derived
High Museum of Art
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Identifier
An unambiguous reference to the resource within a given context
2016.241
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Purchase with funds from The Friends of Photography (c) Dawoud Bey
-
https://glamportal.auctr.edu/files/original/86b32985c5129cf491c0a43a3bf20bc4.JPG
564363a6f8a692e5a0b56fcdc61d1e8e
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
cauam.1997.003.004
Title
A name given to the resource
An Untitled Rural Scene
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Date
A point or period of time associated with an event in the lifecycle of the resource
1940
Rights
Information about rights held in and over the resource
All images in this collection either are protected by copyright or are the property of the Clark Atlanta University Art Museum, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact cauArtMuseum@gmail.com with specific object file name.
Type
The nature or genre of the resource
still image
Creator
An entity primarily responsible for making the resource
Dawson, Charles C.
Source
A related resource from which the described resource is derived
Clark Atlanta University Art Museum
Extent
The size or duration of the resource.
28.5 x 21 inches
Contributor
An entity responsible for making contributions to the resource
Atlanta University Center Robert W. Woodruff Library
Medium
The material or physical carrier of the resource.
Watercolor
-
https://glamportal.auctr.edu/files/original/a4c71b8162f82b25347b520c442a0dd8.jpg
8ea6da5d8736cfb9154d68cd31c6b1ae
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spelman ECP in Art History Project
Description
An account of the resource
SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored.
Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.
Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Serigraph
Physical Dimensions
The actual physical size of the original image
12 in x 9.5 in
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pickets
Creator
An entity primarily responsible for making the resource
DeCarava, Roy
Source
A related resource from which the described resource is derived
Clark Atlanta University Art Museum
Date
A point or period of time associated with an event in the lifecycle of the resource
1946
Contributor
An entity responsible for making contributions to the resource
Atlanta University Center Robert W. Woodruff Library
Rights
Information about rights held in and over the resource
All images in this collection either are protected by copyright or are the property of the Clark Atlanta University Art Museum, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact cauArtMuseum@gmail.com with specific object file name.
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Screen prints
Identifier
An unambiguous reference to the resource within a given context
1946
Extent
The size or duration of the resource.
12 in x 9.5 in
Medium
The material or physical carrier of the resource.
Serigraph
-
https://glamportal.auctr.edu/files/original/4ee9f93afde8676428bc215a2cedb0ac.jpg
98854d221e9d113f4f9288217009f951
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
High Museum of Art Civil Rights Photography Collection
Description
An account of the resource
<em>Ways of Seeing: Art History, Curating and Museums</em> examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery.<br /><br />Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore.
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
13 1/2 x 9 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1994.64
Title
A name given to the resource
Picketing the Courthouse, Monroe, North Carolina
Creator
An entity primarily responsible for making the resource
Declan Haun, American 1937-1994
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Date Created
Date of creation of the resource.
August 26, 1961
Rights
Information about rights held in and over the resource
All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.
Medium
The material or physical carrier of the resource.
Gelatin silver print
Source
A related resource from which the described resource is derived
High Museum of Art