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                <text>Resurrection</text>
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                <text>White House Collection/White House Historical Association</text>
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                <text>https://www.whitehousehistory.org/photos/resurrection-by-alma-thomas#:~:text=This%20acrylic%20and%20graphite%20on,of%20the%20Washington%20Color%20School.&amp;text=This%20painting%20was%20acquired%20for,with%20support%20from%20George%20B.</text>
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                <text>Acrylic and graphite on canvas</text>
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                  <text>SAVC 243 African American Art</text>
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          <name>Original Format</name>
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              <text>H x W x D: 37 1/4 × 37 1/4 × 2 3/8 in. (94.6 × 94.6 × 6 cm)</text>
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                <text>Spring--Delightful Flower Bed</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is an abstract and colorful mosaic-style painting with concentric circles filling a square space with a light green background. Each circle is composed of rectangular shapes of similar color and size, but each circle varies in color and width.</text>
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                <text>Alma Thomas </text>
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                <text>National Museum of African American History &amp; Culture</text>
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                <text>Collection of the Smithsonian National Museum of African American History and Culture, Gift of William J. and Brenda L. Galloway and Family</text>
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                <text>© Charles Thomas Lewis</text>
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                <text>H x W x D: 37 1/4 × 37 1/4 × 2 3/8 in. (94.6 × 94.6 × 6 cm)</text>
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                <text>https://nmaahc.si.edu/object/nmaahc_2015.151</text>
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                <text>Oil on canvas</text>
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                  <text>SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the  role of curators, are introduced to museums, and engage with the High Museum of Art,  art and archival collections in the Atlanta University Center and other significant  collections. Diversity of the museum and its staff as well as its changing audiences is  explored.&#13;
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Students prepare to be art historians and/or curators by completing exhibition  projects drawn from the High Museum of Art’s collection. The course is taught through a  hybrid of synchronous and asynchronous delivery.&#13;
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Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .</text>
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                <text>BLUE Gold Lady</text>
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            <name>Rights</name>
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              <elementText elementTextId="34583">
                <text>All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name.</text>
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                <text>Amaki, Amalia K.</text>
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                <text>Spelman College Museum of Fine Art</text>
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                <text>72 x 39 1/2 inches</text>
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                <text>Atlanta University Center Robert W. Woodruff Library</text>
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                <text>color photographs</text>
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                <text>Gift of Paul R. Jones in tribute to his son Paul R. Jones, Jr.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>BLUE Gold Lady</text>
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                <text>All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name.</text>
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                <text>Amaki, Amalia K.</text>
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                <text>Spelman College Museum of Fine Art</text>
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            <name>Extent</name>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Atlanta University Center Robert W. Woodruff Library</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>color photographs</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Paul R. Jones in tribute to his son Paul R. Jones, Jr.</text>
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        <src>https://glamportal.auctr.edu/files/original/e9c8b34bbac3dfb4e4d9da9bceba3ead.jpg</src>
        <authentication>e4750efa719efd142c1496a103910f87</authentication>
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                  <text>Spelman ECP in Art History Project</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the  role of curators, are introduced to museums, and engage with the High Museum of Art,  art and archival collections in the Atlanta University Center and other significant  collections. Diversity of the museum and its staff as well as its changing audiences is  explored.&#13;
&#13;
Students prepare to be art historians and/or curators by completing exhibition  projects drawn from the High Museum of Art’s collection. The course is taught through a  hybrid of synchronous and asynchronous delivery.&#13;
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Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, .</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>52-1/4 x 35 inches, each panel</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Les Enfants</text>
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            <name>Date</name>
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                <text>1999</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Gelatin silver prints with applied color, buttons, and beads</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Amalia Amaki, American, born 1949</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>High Museum of Art</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="36419">
                <text>All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2000.14 a-c</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Purchase with funds raised in recognition of the 25th anniversary of Nexus Contemporary Art Center, Atlanta, Georgia and gifts from the H. B. and Doris Massey Charitable Trust and Lucinda W. Bunnen and Robert L. Bunnen</text>
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