27 10 1599 https://glamportal.auctr.edu/files/original/30eb6e25fbc4c8789aa1a48f00b12644.jpg d30701aa1a5497214381707214990e97 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman Walking Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1987 Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name. Type The nature or genre of the resource three dimensional object Creator An entity primarily responsible for making the resource Catlett, Elizabeth Source A related resource from which the described resource is derived Spelman College Museum of Fine Art Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Description An account of the resource Standing female figure with hand to head Medium The material or physical carrier of the resource. bronze https://glamportal.auctr.edu/files/original/27e1e9fdbc2e7a7c0c9c01b94b9230c0.jpg cfff12f9e740f2ef7ecf203046c242a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spelman ECP in Art History Project Description An account of the resource SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, . Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman Walking Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1987 Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name. Type The nature or genre of the resource three dimensional object Creator An entity primarily responsible for making the resource Catlett, Elizabeth Source A related resource from which the described resource is derived Spelman College Museum of Fine Art Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Description An account of the resource Standing female figure with hand to head Medium The material or physical carrier of the resource. bronze https://glamportal.auctr.edu/files/original/798ff47aaef26bf61df7936abd5622f0.jpg acee6361bbb5a9ef45f0e607df88b8e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 243 African American Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Its Hard To Be Green Creator An entity primarily responsible for making the resource Chakaia Booker Date A point or period of time associated with an event in the lifecycle of the resource 2000 Contributor An entity responsible for making contributions to the resource Exhibited in the 2000 Whitney Biennial, NY, and the De Cordova Sculpture Park and Museum, Lincoln, MA Medium The material or physical carrier of the resource. Rubber Tires and Wood Spatial Coverage Spatial characteristics of the resource. 150 x 252 x 24 inches (wall relief) https://glamportal.auctr.edu/files/original/cc7d31714b27a26dbc208d3618dad9ca.jpg 4cba955c445cbe42ec7102f6071eedcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 243 African American Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Deja Vu Creator An entity primarily responsible for making the resource Chakaia Booker Date A point or period of time associated with an event in the lifecycle of the resource 2016 Contributor An entity responsible for making contributions to the resource Commissioned by and exhibited at Millennium Park, Chicago, IL Currently on view at Pyramid Sculpture Park, Hamilton, OH Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 21 x 26 x 17 feet Medium The material or physical carrier of the resource. Rubber Tires and Stainless Steel https://glamportal.auctr.edu/files/original/530b9ff0452db258aecf57f75a580c7c.jpg 4756959ff1b5d8a9864d9ddab08e978e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 243 African American Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foci Creator An entity primarily responsible for making the resource Chakaia Booker Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Storm King Art Center Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 32 x 8 x 8 feet Medium The material or physical carrier of the resource. Rubber Tires and Stainless Steel https://glamportal.auctr.edu/files/original/ef378ab41904ad3f366cf25ef62e6017.jpg dd1353d42bd1509534c290fe125ac89d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 243 African American Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evocative Gridlock Description An account of the resource Growing up, Booker would sew and create clothing with all types of fabric. Ridlock tells the tale of human adventure and experience. Through the concave and convex patterns of the material, and interpretation of the complexities of mankind is being depicted. When one thinks of the word, “gridlock,” an association to traffic jams and intersecting streets is made. Gridlock calls for the contemplation of how human challenges cause and affect mental stability and growth. Creator An entity primarily responsible for making the resource Chakaia Booker Date A point or period of time associated with an event in the lifecycle of the resource 2008 Contributor An entity responsible for making contributions to the resource Frank Espich, Courtesy Marlborough Gallery, New York Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 100 x 48 x 20 in. Medium The material or physical carrier of the resource. Rubber tire and stainless steel, 2 pieces, https://glamportal.auctr.edu/files/original/165ffd3defd55b99fc79b543f1f2f4d0.png 62c8e8be6da36d636baac6a25bca33a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAVC 243 African American Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El Gato Description An account of the resource El Gato translates to “the cat” from Spanish to English. Its title is derived from the seemingly feline and creeping position. A mixture of wood, bicycle, and automobile tires was utilized to make the piece. Similar to the reference of the cat, the artist calls for the viewer to connect with the human-like aspects of the piece and undergo a transformation. Creator An entity primarily responsible for making the resource Chakaia Booker Date A point or period of time associated with an event in the lifecycle of the resource 2001 Contributor An entity responsible for making contributions to the resource Collection of the Kemper Museum of Contemporary Art, Bebe and Crosby Kemper Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 48 x 42 x 42 in Medium The material or physical carrier of the resource. Rubber tire and wood https://glamportal.auctr.edu/files/original/b193762d3a8d8e30e40c6cce9f25f6fb.jpg 6a6ffe42641462123427ab9ce7c23493 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9 1/4 x 13 9/16 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.257 Title A name given to the resource CORE Demonstration against Employment Discrimination, Bogalusa, Louisiana Creator An entity primarily responsible for making the resource Charles Brittin, American, born 1928 Date Created Date of creation of the resource. 1965 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/00a4048a6bcf8031f1b4b0c4e78e104b.jpg 89a14cf67eeb61d3b5020061ea35c8ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9 1/4 x 13 1/2 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1994.63 Title A name given to the resource Martin Luther King Jr. Arrested, Montgomery, Alabama Creator An entity primarily responsible for making the resource Charles Moore, American, 1931-2010 Format The file format, physical medium, or dimensions of the resource image/jpeg Date Created Date of creation of the resource. 1958 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/f4f0afe331bcb66ff9e8be7369bd53c8.jpg c4f4be1b01cbd990129abc5e26f38e35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 13 7/16 x 9 3/16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.246 Title A name given to the resource Kelly Ingram Park, Birmingham, Alabama Creator An entity primarily responsible for making the resource Charles Moore, American, 1931-2010 Date Created Date of creation of the resource. May 3, 1963 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art