25 10 1599 https://glamportal.auctr.edu/files/original/16178582de8777f07cca6b46c9be429a.jpg 8dc2972438ca76497c5bb5c26a2ab80b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cover of The Brotherhood of Sleeping Car Porters Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Brotherhood of Sleeping Car Porters Subject The topic of the resource Brotherhood of Sleeping Car Porters; Sleeping cars (Railroads). United States; Sleeping cars (Railroads); United States Description An account of the resource Dr. B. R. Brazeal published The Brotherhood of Sleeping Car Porters, a continuation of his dissertation which remains a standard reference in American economic history, labor history, and race relations. Creator An entity primarily responsible for making the resource Brazeal, Brailsford R. Source A related resource from which the described resource is derived Archives Research Center Book Collection https://glamportal.auctr.edu/files/original/e169465d9052b13366949a09db3a63f5.jpg ba64998213d63fdd7c756e4a57325924 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Chromogenic print Physical Dimensions The actual physical size of the original image 39.25 in x 29.25 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Americans Series: Tarrynn Deavens, age 18 Creator An entity primarily responsible for making the resource Bright, Sheila Pree Source A related resource from which the described resource is derived Clark Atlanta University Art Museum Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Clark Atlanta University Art Museum Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Clark Atlanta University Art Museum, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact cauArtMuseum@gmail.com with specific object file name. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Chromogenic color prints Identifier An unambiguous reference to the resource within a given context 2009.005 Extent The size or duration of the resource. 39.25 in x 29.25 in Medium The material or physical carrier of the resource. Chromogenic print https://glamportal.auctr.edu/files/original/792c10cb3e2360cad72b0d4297453abc.jpg 930ea48be6a592da895d3314a732914f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spelman ECP in Art History Project Description An account of the resource SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, . Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled #5 Creator An entity primarily responsible for making the resource Bright, Sheila Pree Source A related resource from which the described resource is derived Spelman College Museum of Fine Art Date A point or period of time associated with an event in the lifecycle of the resource 2005 Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Is Part Of A related resource in which the described resource is physically or logically included. Suburbia series Extent The size or duration of the resource. 24 x 30 inches Medium The material or physical carrier of the resource. chromogenic print https://glamportal.auctr.edu/files/original/7e0622c93f6bc5996be5ae43f6b6ba28.jpg 4ea4a80c0a39e312289bfce44fbe253c https://glamportal.auctr.edu/files/original/75ebcca31a87af0a0556e34df952dafd.jpg e25e92d8b090f7c3967998305d0f85f2 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.024.0001_001 auc.024.0001_002 Title A name given to the resource Letter from City of Atlanta, January 23, 1981 Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1981 January 23 Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource correspondence Creator An entity primarily responsible for making the resource Brown, Lee P. Source A related resource from which the described resource is derived Cleveland L. Dennard records Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/7e14eea0bda5b5a06f27513471cc2a73.jpg 8084c292fc9aeb182827bdf5d4b8e4b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 6 5/16 x 9 7/16 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.261 Title A name given to the resource Ku Klux Klan Rally, Atlanta, Georgia Creator An entity primarily responsible for making the resource Bruce Davidson, American, both 1933 Date Created Date of creation of the resource. 1962 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/b08057dcdb524ca83918274ba95df0bf.jpg e832af8e09c1f5a70bf0d2164a3a7913 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.26 Title A name given to the resource Freedom Ride Creator An entity primarily responsible for making the resource Bruce Davidson, American, both 1933 Date Created Date of creation of the resource. 1961 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/fd40936d3cd872aa32936e495c9bfe92.jpg 64ec724cdab35faf5208b1176be5ef3b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spelman ECP in Art History Project Description An account of the resource SAVC 102: Ways of Seeing: Art History, Curating, and Museums is an Early College Program in Art History and Curatorial Studies. Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from Atlanta University Center Robert W. Woodruff Library, Clark Atlanta University Art Museum, Spelman College Museum of Art, ad the High Museum of Art, . Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Red Ladder) Creator An entity primarily responsible for making the resource Buchanan, Beverly Source A related resource from which the described resource is derived Spelman College Museum of Fine Art Date A point or period of time associated with an event in the lifecycle of the resource 1995 Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library Rights Information about rights held in and over the resource All images in this collection either are protected by copyright or are the property of the Spelman College Museum of Fine Art, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact museum@spelman.edu with specific object file name. Type The nature or genre of the resource physical object Identifier An unambiguous reference to the resource within a given context 2012.11 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Lucinda and Robert Bunnen https://glamportal.auctr.edu/files/original/1f2cce46d0f5a27cd8006690096439f8.jpg 14d1ae7ed3214d0266b774ddb23cfded Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context auc.098.055.doc Title A name given to the resource Why We Need a Black President in 1980 Format The file format, physical medium, or dimensions of the resource image/tiff Date A point or period of time associated with an event in the lifecycle of the resource 1970 January 13 Rights Information about rights held in and over the resource Items in this collection are the property of the Robert W. Woodruff Library, and/or the copyright holder as appropriate. To order a reproduction or to inquire about permission to publish, please contact archives@auctr.edu with specific identification number (file name). Type The nature or genre of the resource Magazines (periodicals) Creator An entity primarily responsible for making the resource Buckley, William F., Jr., 1925-2008; Look Magazine Source A related resource from which the described resource is derived Johnson Publishing Company Clippings File Collection Subject The topic of the resource Political satire, American Language A language of the resource en Contributor An entity responsible for making contributions to the resource Atlanta University Center Robert W. Woodruff Library https://glamportal.auctr.edu/files/original/9ab0ab09f3541e341207fbeccf5b5216.jpg 1ece29e024751f502050106d674a90f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 13 7/16 x 10 1/2 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.2 Title A name given to the resource March on Washington, D.C. Creator An entity primarily responsible for making the resource Builder Levy, American, born 1942 Format The file format, physical medium, or dimensions of the resource image/jpeg Date Created Date of creation of the resource. 1963 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art https://glamportal.auctr.edu/files/original/03e2b87379ce06c92229ef275bcb9776.jpg d5be5917f4f47e25f501b98ec17a9f78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Museum of Art Civil Rights Photography Collection Description An account of the resource Ways of Seeing: Art History, Curating and Museums examines selected examples of African American and Western art. Via an online immersive course, students learn the role of curators, are introduced to museums, and engage with the High Museum of Art, art and archival collections in the Atlanta University Center and other significant collections. Diversity of the museum and its staff as well as its changing audiences is explored. Students prepare to be art historians and/or curators by completing exhibition projects drawn from the High Museum of Art’s collection. The course is taught through a hybrid of synchronous and asynchronous delivery. Artworks in this collection are selected from the High Museum of Art's Civil Rights Photography Collection. With over three hundred works, the High Museum holds one of the country’s most significant collections of photographs documenting the civil rights movement. These images were made by committed artists, activists, and journalists who risked injury, arrest, and even death to document this critical moment of change in our nation. The collection includes documentation of the Montgomery Bus Boycott, the life of Dr. Martin Luther King, Jr., and the activities of the Student Non-Violent Coordinating Committee, along with deep holdings by Gordon Parks, Ernest Withers, Danny Lyon, Bruce Davidson, Leonard Freed, and Charles Moore. Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 7 1/2 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2007.199 Title A name given to the resource I Am a Man/Union Justice Now, Martin Luther King Memorial March for Union Justice and to End Racsism, Memphis, Tennessee Creator An entity primarily responsible for making the resource Builder Levy, American, born 1942 Date Created Date of creation of the resource. 1968 Rights Information about rights held in and over the resource All of the content of this Website — including information, data, text, graphics, logos, button icons, images, pictures, audio clips, and software (the “Content”) — is protected by United States copyright laws. The Content of http://www.high.org is copyrighted as a collective work under the United States copyright laws. Except as granted in the limited license below, any other use of this Content, including modification, transmission, presentation, distribution, or republication, is prohibited without the prior written consent of the High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc., Atlanta, Georgia (the “Museum”). The copyright of the Content and other proprietary rights are held by the Museum or other entities and individuals. Medium The material or physical carrier of the resource. Gelatin silver print Source A related resource from which the described resource is derived High Museum of Art